Yet Walton's ambition also emerges from a childhood dream. Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel. The word, Romantic, might call to mind notions of romantic love; however, this word actually refers to the Romantic period in England and its characteristics. See The novel itself begins with a series of letters from the explorer Robert Walton to his sister, Margaret Saville. I never saw a man in so wretched a condition.
Unlike Frankenstein, the rhetorician, the stylist no longer needs to seduce the father by rhetorical affectations. Strange and harrowing must be his story. One man's life or death were but a small price to pay for the acquirement of the knowledge which I sought, for the dominion I should acquire and transmit over the elemental foes of our race. Your affectionate brother,Robert Walton Letter 3 To Mrs. Even now, as I commence my task, his full-toned voice swells in my ears; his lustrous eyes dwell on me with all their melancholy sweetness; I see his thin hand raised in animation, while the lineaments of his face are irradiated by the soul within. You seek for knowledge and wisdom, as I once did; and I ardently hope that the gratification of your wishes may not be a serpent to sting you, as mine has been. You are well acquainted with my failure and how heavily I bore the disappointment.
A youth passed in solitude, my best years spent under your gentle and feminine fosterage, has so refined the groundwork of my character that I cannot overcome an intense distaste to the usual brutality exercised on board ship: I have never believed it to be necessary, and when I heard of a mariner equally noted for his kindliness of heart and the respect and obedience paid to him by his crew, I felt myself peculiarly fortunate in being able to secure his services. There--for with your leave, my sister, I will put some trust in preceding navigators--there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. His narrative shifts from his story to the DeLaceys' and back, disturbing any single, narrative line. I replied that I could not answer with any degree of certainty, for the ice had not broken until near midnight, and the traveller might have arrived at a place of safety before that time; but of this I could not judge. Other story-tellers find other listeners, propose different terms, and follow different methods in this novel.
They fly quickly over the snow in their sledges; the motion is pleasant, and, in my opinion, far more agreeable than that of an English stagecoach. They fly quickly over the snow in their sledges; the motion is pleasant, and, in my opinion, far more agreeable than that of an English stage-coach. Farewell, my dear, excellent Margaret. By withholding his own voice in order to protect his secret, Frankenstein -- not the monster -- brings about Justine's death. But, supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine. This is the most favourable period for travelling in Russia.
The stranger has gradually improved in health but is very silent and appears uneasy when anyone except myself enters his cabin. And, like Frankenstein's monster, Walton expresses his loneliness and a search for friendship. He must have been a noble creature in his better days, being even now in wreck so attractive and amiable. This method of story-telling is called a frame story. Shelley alludes to the poem several times.
I can, even now, remember the hour from which I dedicated myself to this great enterprise. I profited of this time to rest for a few hours. Temporal sequence throws itself into the kaleidoscope of mirroring narratives, until the three major tales seem to stand side by side. Petersburg, Russia, sometime in the eighteenth century. At the conclusion of this last letter, Walton tells his sister the man will begin his story-the rest of the novel-the next day. These are my enticements, and they are sufficient to conquer all fear of danger or death, and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river.
When he had in some measure recovered, I removed him to my own cabin and attended on him as much as my duty would permit. I have read with ardour the accounts of the various voyages which have been made in the prospect of arriving at the North Pacific Ocean through the seas which surround the pole. Strange and harrowing must be his story, frightful the storm which embraced the gallant vessel on its course and wrecked it--thus! Yet do not suppose, because I complain a little or because I can conceive a consolation for my toils which I may never know, that I am wavering in my resolutions. Yet a second step is taken towards my enterprise. This is important because, later in the novel, the question of the differences between man and monster will be called into question.
Evidence of many literary languages exists within the text: the epistolary, the journalistic, the lyric , the sentimental, and the epic are only the most explicit. Many writers at this time had little formal education. We have learned, nevertheless, from the exchange, from the verbal give-and-take. Were we among the tamer scenes of nature, I might fear to encounter your unbelief, perhaps your ridicule; but many things will appear possible in these wild and mysterious regions. And now, dear Margaret, do I not deserve to accomplish some great purpose? But we also have the monster's challenge. I do not intend to sail until the month of June; and when shall I return? This Frankenstein study guide analyzes how these allusions contribute to major themes in Frankenstein. At all points, the reader must enter the active world of the novel.
Rime of the Ancient Mariner in Frankenstein abound. I accompanied the whale-fishers on several expeditions to the North Sea; I voluntarily endured cold, famine, thirst, and want of sleep; I often worked harder than the common sailors during the day and devoted my nights to the study of mathematics, the theory of medicine, and those branches of physical science from which a naval adventurer might derive the greatest practical advantage. This, briefly, is his story. I may there discover the wondrous power which attracts the needle; and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent for ever. These volumes were my study day and night, and my familiarity with them increased that regret which I had felt, as a child, on learning that my father's dying injunction had forbidden my uncle to allow me to embark in a seafaring life.